![]() Karen Desmond showed how the late medieval British polyphonic alleluia repertory at Worcester Cathedral seems to have incorporated prosula techniques, a finding which provides previously overlooked context for the evolution of the motet. Mark Everist called for scholarship on organum to recognize the diversity of practice outside 13th-century Notre Dame. A quadruple panel on new sources and approaches to this repertory in the ‘Long Thirteenth Century’ was delivered to a packed room. As in previous years, sacred polyphony was well represented. Presentations addressed both exploratory topics and new approaches to well-trodden ground their breadth-ranging from organology to contrafacta, to music in medieval Latin America-demonstrated how Med-Ren continues to foster diverse and exciting research in our field. In-person delegates were also offered a complimentary dinner with musical serenades in the 16th-century castle. ![]() Two evening concerts were held in the historic Uppsala Cathedral: Ensemble Gemma reconstructed a 13th-century Office charting Saint Sigfrid’s journey from York to Småland in southern Sweden, and Ensemble Serikon and Ensemble Villancico collaborated to re-create the music for the coronation of Erik XIV, which had taken place in the cathedral itself on 29 June 1561. The conference committee organized a busy few days. The greater accessibility resulting from such an approach suggests that a precedent has been set for the future. Although physical attendance was lower than the last fully in-person Med-Ren (Basel, 2019), this year’s hybrid format allowed delegates to participate remotely and catch up on sessions they had missed. This year’s event took place 4–7 July in the spectacular buildings of Uppsala University, and featured over 200 papers, panel discussions, workshops and musical performances. Founded in Nottingham in 1972, Med-Ren has become the largest academic conference on early music in Europe.
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